An illustrated history of protest and activism in Aotearoa New Zealand
Winner of the 2020 Ockham New Zealand for Illustrated Non-Fiction Book Award
Exhibition catalogue detailing the works featured in the Ngā Tai Whakarongorua | Encounters exhibition at Te Papa Tongarewa.
Winner of ‘Best small exhibition catalogue’ at the 2022 Art Association of Australia and New Zealand awards
Māori Moving Image edited by Melanie Oliver and Bridget Reweti featuring my essay titled, ‘To Stand, To Fight: A Matter of Interpretation’
This publication was created to coincide with the exhibition of the same name
Declaration: A Pacific Feminist Agenda edited by Ane Tonga and featuring my essay titled, ‘Te Iho o Ngā Toi Māori’
Declaration: A Pacific Feminist Agenda gathers together some of the Pacific’s leading activists, scholars and critical thinkers in a dynamic discussion about Pacific feminisms
Te Manu Huna a Tāne edited by Jenny Gillam and Eugene Hansen and featuring my essay titled, ‘Into the Void’
Te Manu Huna a Tāne presents photographic documentation of a kiwi pelting wānanga among wāhine from Ngāti Torehina ki Matakā interspersed with essays
Exhibition catalogue featuring works from artist Ayesha Green that were presented in her exhibition Folk Nationalism. Features my poem ‘Looking at a green field, for two Māori boys‘
The book presents new writing by authors Francis McWhannell, Lachlan Taylor, Sarah Hudson, Matariki Williams, Elle Loui August, Hanahiva Rose, Jess Nicholson, Moewai Marsh and Madison Kelly
Exhibition reader for the Karrabing Film Collective exhibition Wonderland shown at Haus der Kunst, Germany. Features my republished article, ‘Karrabing Film Collective Tackles the Cultural and Environmental Devastation of Settler Colonialism.‘
Karrabing Film Collective are an Indigenous artist group from Australia who formed in 2007.
Exhibition reader for Bridget Reweti’s exhibition Pōkai Whenua, Pōkai Moana. Features my essay, ‘Nō Ngā Tīpuna, Mō Ngā Uri Whakaheke: The Inquisition and Generosity of Bridget Reweti’s Practice.‘ Also features my label text for the exhibiting work Kapo Wairua
Bridget Reweti was the Frances Hodgkins Fellow at Otago University in 2020-2021.
Publication to accompany a survey of the 50-year career of one of New Zealand’s best-loved artists, Robin White. Features my response to Robin’s monotype E haere ana ahau (I am leaving) (1982) titled ‘This is your home‘
Something is Happening Here is edited by Sarah Farrar, Jill Trevelyan, and Nina Tonga
Companion catalogue for Te Papa Tongarewa’s 2021 survey show of Rita Angus. Edited by Lizzie Bisley, it features my response to Rita’s 1951 self-portrait Rutu.
Rita Angus was a pioneering modernist artist from Aotearoa
Modeling the curatorial as a method for uniting cultural production and science, Climates. Habitats. Environments. weaves together image and text to address the global climate crisis. Features my essay ‘Weaving Lost Histories: Bridget Reweti’s turuturu’
Edited by Ute Meta Bauer founding director of the Centre for Contemporary Art (CCA) in Singapore
Interview in Art News Aotearoa, Summer 2023 with artist Roberta Joy Rich. This interview looked at the history informing Roberta’s exhibition The Purple Shall Govern shown at Perth Institute of Contemporary Art
Also contributed a piece on Te Māori for the magazine’s 200th issue
Exhibition reader for Dowse exhibitions Embodied Knowledge and Can Tame Anything. Features essay from me titled ‘In the shadows of their work: A response to Ngahuia Te Awekotuku’s Mana Wahine Māori‘
Ngahuia Te Awekotuku’s book, Mana Wahine Maori: Selected Writings on Maori Women’s Art, Culture and Politics was published in 1991